golden age r1 st gearslutz
It's not too bad, but can be awkward to get the mic positioned and the cable connected. I have gotten some use out of them and I am pleased with them. Swedish Company 'Golden Age' Audio distribute many leading pro-audio brands in their part of the world, but they also manufacture their own range of microphones and accessories aimed at the project studio market. You're going to loose some of the "pure" ribbon sound because of this, but hey, this was my first ribbon and needed a place to start, without breaking the bank. The bottom end isn't quite as expansive as the big ticket ribbons, but it's still there. You need to use a good preamp as passive Ribbon microphones have a low output level. Gear: Telecaster guitar (single coil bridge pickup) Vox ac4 (set clean)/ Boss … Not a bad sound, maybe what some would consider 'warm". hokay - I spent a few hours with it last night. Golden Age Project offers high quality gear suitable for anyone looking for that extra ingredient that makes all the difference. Here for the gear . GAP also make an MKIII model that is an active Ribbon. here is my top ten applications with Golden Age Ribbon ! The R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. Instead it comes with a soft carry bag, which may not be suitable if you're planning on travelling anywhere with it. Our old-timer, released over 15 years ago and still our bestseller! Golden Age claim a frequency response of 30Hz to 18kHz (±3dB) for the R1ST, though no chart is available. So I bought 2 R1's because why not, they are 189 each. I take off a couple of points on ease of use because of the stand mount that they come with. Golden Age R1 Ribbon microphone review | ribbon microphones down the page I dont have one... or any ribbon mics at least now Matti Share Quote. When you buy products through links across our site, we may earn an affiliate commission. I bought one and used it on a female soprano, acoustic guitar, and a fiddle session. I have used them in Glen John's config and they were really good. It is an active ribbon, so it runs on phantom power. No stomping or jumping in the recording room... I had been looking at several microphone options especially in the budget price bracket which I equate with being about $600 or less. Especially the highs sounds very smooth at their top end. The R1 ST is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.In spite of its low cost, the R1 ST meets the most stringent demands. A hard case may get stacked in a corner with the mic ending up in a poor position while not in use. Golden Age Projects R1 Active Mk2 I had been looking at several microphone options especially in the budget price bracket which I equate with being about $600 or less. GAP-R1D2-mics-sound-samples (10Mb) Golden Age Projects R1 Mk3 Active Ribbon Mic, Affordable LDC Microphone With Multiple Voicings. Very nice. I like the warmth of the R1 and the fact that it has a high output and very low noise. PRE-73 MKIII. I had a GAP mic shootout on my blog and want to let you know my impressions on the R1 active ribbon microphone from GAP. the thing even comes with a low-cut switch that's supposed to kick in at 100Hz - I have a boomy low voice and I was a few inches away from the little guy and I didn't need it. The Apex 205 or 210 and the Golden Age R1 mkII look good. As my mic collection has been growing over the last few years, the time soon came to purchase a ribbon mic. I don't find any loss of character from it being active. Overall a little tube was requested by my brane. Some female vocals work really well with this mic, perhaps for taking the edge of slightly shrill frequencies and once again, on electric guitars, the mic takes the high frequency harshness to a more mellow state. If you want a mellow sound, or want to take the edge of a harsh guitar or string sound, then this could be the one to go to, especially if it's your first ribbon purchase and it's all your budget will allow. The upshot is you don't need a specific, super-clean powerful preamp - as long as it says 48V next to a button or switch, you're covered. Hi Tomer. Also through a modified ART Pro Channel. You can not use a shock mount with it and so you have to be pretty careful while recording, especially as it can produce a lot of "bottom". Now, the ribbon mic market at this level is pretty saturated with choice. COMP-3A JR. Acclaimed new member of the family! The R-1 SM shock mount, designed for Golden Age's R-1 Ribbon Mic. The GAP 73 came close, but the Summit had a more open top end, whether I used the 2BA's tube output or just the solidstate out. Voices (8/10) Before I go further, let me emphatically state that it doesn't help me sing more in tune, so needless to say I'm disappointed. R1 MKII . I really like to use one on the Hi-hat. I've recorded female vocals, acoustic and electric guitar with this mic and so far it's been a welcome change from my limited stock of dynamics and LDCs. GAP R1 active Mk 3 ribbon mic - review Gtr Amp Cab (9/10) The top end is THERE - much more so than a standard ribbon. Sound Quality; Ease of use; Features; Bang for buck; Overall: Brilliant first ribbon mic As my mic collection has been growing over the last few years, the time soon came to purchase a ribbon mic. I ordered it from Zzounds in the USA, because it was sold out everywhere in Europe. The R1 is great on Bass and every source where you'd like to erase some higher frequencies. Audio demo of the GAP R1 ribbon mic on vocals (with comparison to a condenser mic). Royers. It's a smooth sounding mic which will always find a use somewhere along the line and there are no worries about having enough gain. Active Ribbon Microphone with Tube Electronics. It looks real swell and makes you wanna sing in mono. The mic is also equipped with a 10db pad and a low cut, which are always welcome features on any mic. It has a (gotta use the word again) "gentle" proximity effect. I didn't have to add any bass what so ever, which I normally do with an EQ1A. HIghlights. Check out JR version 1-channel vintage style optical compressor. I may need to, since there was a slight woolyness when my boomyness woke up. For $200, just buy the thing. It’s worth mentioning that small 1980’s Soundcraft desks, including the 400, 500, 600 and 16- or 24-bus 6000, are also exceptional value for money. Sonically - hmmm. Oktava, Rca ect , find one and try it... The cable it comes with is a little on the short side, but hey - it's a cable. The actual genesis of this typical snare.
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