5 minor pentatonic shapes pdf

0000001765 00000 n The root notes (A in these examples) are circled so that you can learn their locations. You can get more diagrams in the tuning of your choice by using my interactive web app HERE. H��WYo�F~��0})D�^��$`�d9u�V�iP06���HW����wv��H������c�o�Q��fw����G�I�7|�0Б!F0 �Q���0R����L���-�Ǔ�)�n�o$a��^\SXlHL��T2��A! 0000007314 00000 n 0000008065 00000 n 0000097008 00000 n %PDF-1.4 %���� But to be honest, that’s useless 0000006069 00000 n This scale has its low root played with the first finger on the low E string. 0000004438 00000 n The major pentatonic sequence goes: R-2-3-5-6 (Box 2 in the example). 0000026861 00000 n 0000001076 00000 n 0000002817 00000 n 114 39 0000216042 00000 n 0000210685 00000 n Go through each finger and see what you can come up with. This makes it relatively easy to remember and also is great for hammer-on’s and pull-off’s. 0000191014 00000 n 0000003575 00000 n As you probably already know, the scale above is the minor pentatonic and the scale below is the major pentatonic, only they share the same pattern. As you will learn, these patterns can be transferred to all keys. ���Sؤ7E~�t�)r�r(ְ��w�Y�\]��-,�m���e��W��#�lS�}4QH��>��W'��i4�����1UڜS:�QƄ�/. 0000211529 00000 n 0000216886 00000 n In this lesson we will be adding the 4th and 5th shape to our pentatonic scales, and learn how to find these in any minor key extremely quickly. 0000003772 00000 n The big deal with The Major Pentatonic scale has the same visual shapes as the Minor Pentatonic so it is ESSENTIAL that you focus on where the ROOT note is. 0000190501 00000 n Stop by my site at GuitarSix.com to get more free guitar stuff! 0000185771 00000 n The scale illustrated on the right is the most common basic “box” position. �߀�2��E�n6�0�2�.`7`�``g�j~�@|w�&�X��,���w�����݄���h�"Ƙ� R 0000216464 00000 n 0000225308 00000 n 0000002482 00000 n In this case, C major. Minor Pentatonic & Blues- The Five Box Shapes #1 Box 1 4 3 3 1 1 1 4 2 4 1 1 3 4 root notes # blue notes (b5) fingering to utilize Now we will add one note to the minor pentatonic scale and turn it into the six-note blues scale. 0000001437 00000 n The natural minor is the Aeolian mode of the relative major scale. 0000006706 00000 n H�b```�� ���03� EY8fh`�_�9����Z��#���i %J�zu(o�P軺��:�Y�8:؁�������8:е��3��n�@, �O�����A�m������������LCS ��L�z��|L 0000191285 00000 n The Aeolian mode (Natural Minor) is the 6th mode of the major scale. 0000218585 00000 n 0000001810 00000 n Let’s take a closer look at these 5 patterns.. A Minor Pentatonic with the C Shape (or Am Shape) Try to visualize the C chord shape or the A minor shape, whichever is easiest for you. 0000201544 00000 n 0000006728 00000 n 5 PENTATONIC SHAPES Welcome to the second lesson in our mini series on lead guitar playing. The intervals in minor pentatonic are root or 1, b3rd, 4th, 5th, and b7th. Again, I usually use pattern 5 passively, mainly to connect shape 4 and shape 1 (which, if you'll remember, comes after shape 5 again), or just to slide into the notes of shape 1. For this chapter we will be considering minor pentatonic only. 0000000016 00000 n Pattern 1 (CAGED: E shape) This shape has many cool blues licks in it, should be the second shape you learn. The minor pentatonic scale is constructed from five notes of the natural minor scale. Chapter One: Minor Pentatonic Scales To introduce a novice guitar player to the world of rock music requires that he learn a series of scales, which we can call the tools of the trade. Minor Pentatonic Shape 5. Again, the solid circles represent the chord tones while the hollow circles show the additional notes needed to complete the minor pentatonic scale. endstream endobj 151 0 obj <>/Filter/FlateDecode/Index[41 73]/Length 22/Size 114/Type/XRef/W[1 1 1]>>stream !�0�K&����\�I|~=?��Tl������%��[;L�^�����n��;������?����8k6�k2���_��g%�>NC����#i�e�|͞Ib����?���7_lyz�=��)|��k �����bJ�\�t�+ѐ�"������)"%UH�Ȁ�J�9�@�@-�t\Q�%U�C� The image below represents four consecutive perfect fifths in the circle of fifths starting on the root of C and continuing in a sharp direction: Answer Key. 1. b3rd to major 3rd bend. This is the formula for the minor pentatonic, as well as its notes in the key of E. 345 0 obj << /Linearized 1 /O 348 /H [ 1437 373 ] /L 521214 /E 29556 /N 6 /T 514195 >> endobj xref 345 29 0000000016 00000 n Once learned, the player can immediately start improvising rock guitar. The major pentatonic scale is mostly used in country, folk country rock, blues and jazz. 0000005575 00000 n Again – all 5 boxes fit together the same, no matter what. � au �s�����t���V\��V�k��n-�ۣ�� T������>����g���}�X��1��4��zQc�W?O3K��W�` ��� endstream endobj 123 0 obj <> endobj 124 0 obj <> endobj 125 0 obj [134 0 R] endobj 126 0 obj <>stream Once you learn the string bends listed below, practice them using different shapes and in all keys. 0000000931 00000 n ��2Z3��� 2���w@� �vg`?��` 0000001588 00000 n 0000004159 00000 n 0000003612 00000 n 0000004273 00000 n 0000211107 00000 n Let’s begin by learning the final two shapes & adding them to our first 3. your guitaracademy shapes 4 & 5 Let’s start by tackling the new shapes. 0000001788 00000 n 0000225033 00000 n o$Zj��8�}��`M��A�����fb'���E 'C��S � The same 5 boxes we used for C minor are also the 5 boxes of Eb Major because C minor and Eb Major are what we call relative. A minor pentatonic contains scale degrees 1, b3, 4, 5, and b7. 114 0 obj <> endobj xref In this case, A natural minor. 0000003070 00000 n The Minor Pentatonic Scale By Paul Tauterouff The Minor Pentatonic scale is one of the most commonly scales used in Rock, Blues, Country and Jazz music. 0000007629 00000 n For any minor key, the relative major is 3 frets up the neck. 0000006091 00000 n trailer << /Size 374 /Info 332 0 R /Root 346 0 R /Prev 514184 /ID[] >> startxref 0 %%EOF 346 0 obj << /Type /Catalog /Pages 334 0 R /Metadata 333 0 R /Outlines 34 0 R /OpenAction [ 348 0 R /XYZ null null null ] /PageMode /UseNone /JT 344 0 R /PageLabels 331 0 R /StructTreeRoot 347 0 R /PieceInfo << /MarkedPDF << /LastModified (D:20060525111735)>> >> /LastModified (D:20060525111735) /MarkInfo << /Marked true /LetterspaceFlags 0 >> >> endobj 347 0 obj << /Type /StructTreeRoot /ClassMap 47 0 R /RoleMap 46 0 R /K 245 0 R /ParentTree 290 0 R /ParentTreeNextKey 7 >> endobj 372 0 obj << /S 118 /T 197 /O 245 /L 261 /C 277 /Filter /FlateDecode /Length 373 0 R >> stream For this chapter we will be considering minor pentatonic only. The same goes with the root on the 5th (A) string. 0000006649 00000 n The Scale Shapes.

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